Đorđe Lebović
Aleksandar Obrenović

HIMMELKOMMANDO

Premiere at Sterijino pozorje, 26th May at 10 PM, Serbian National Theatre ‘Jovan Đorđević’ Stage.

Premiere in Yugoslav Drama Theatre at Ljuba Tadić Main stage on the 7th June 2009 at 8 PM.

Running time: approx. 2h 10’, with no interval.

 

 

Director 
Set Designer
Costume Designer
Composer
Speech
Assistant Costume designer
Production Manager

Marko Manojlović
Vesna Štrbac
Lana Cvijanović
Vlada Pejković
Ljiljana Mrkić-Popović
Natasha Plum
Ana Ćurčin

CAST
ABOUT THE PLAY
ABOUT AUTHOR
ABOUT DIRECTOR
REVIEWS


Cast:
Narrator
MIODRAG RADOVANOVIĆ
Green 
SRDJAN TIMAROV
Number 58964
ALEKSANDAR DJURICA
Muselmann
NIKOLA VUJOVIĆ
Prominent
GORAN ŠUŠLJIK
The Man with the Hat
ZORAN CVIJANOVIĆ
The Wounded Man
PETAR BENČINA
S.K.
NEBOJŠA MILOVANOVIĆ
The Old Man
PREDRAG EJDUS
Obersturmbannführer
TONI LAURENČIĆ
Sturmführer
MILOŠ PJEVAČ





 
   
   

 

ABOUT THE PLAY
Himmelkommando takes place at the concentration camp of death Auschwitz, but it is not a play about the horrors of Auschwitz, rather about the power of life, about man’s strife to die like a man, not a number.
Marko Manojlović

 

 

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ABOUT THE WRITERS

Aleksandar Obrenović was born in Belgrade in 1928. He studied pedagogy at the Faculty of Philosophy. He did some acting and painting as well. Worked as a journalist at Radio Belgrade, a dramaturg at Drama Department of TV Belgrade since its foundation, was the first artistic director of Sterijino pozorje, a free-lance artist, a radio-play editor at the Drama Programme of Radio Belgrade. Wrote scripts for documentaries and directed them. He also wrote scripts for feature films, TV plays, theatre and radio plays and stories.
More than 60 of his radio plays were produced, most of which he directed himself, locally and abroad. His works were published or produced in more than 20 countries and translated into 22 languages. ‘Prosveta’ published a collection of his plays, Return of Don Juan, whereas Theatre Museum of Serbia published the collection of plays Clusters of Magic Stars. His stories were published in various newspapers and journals.
Plays: Himmelkommando, 1956; Variations (Rondeau, Evening Play, The Bird, Nocturno), 1958; The Face, 1967; Ocean Liner Captain, 1966; Return of Don Juan and Other Plays, 1968; O, sole mio…, 1984.
Radio plays: Girl on the Roof, 1969; Sansara, 1969; Venture of the Century, 1981; Sweet Smell of Rebirth, 1983; and other. Around twenty of his radio-adaptations of local and international writers were produced at all major Yugoslav radio stations, as well as a dozen of TV plays and TV adaptations for Belgrade TV.
His plays were published and produced in USSR, Sweden, Norway, Denmark, Holland, DDR, Switzerland, Monaco, France, Italy, Israel, USA, Belgium, Malta…

Đorđe Lebović was born in Sombor in 1928. He was a prisoner at Nazi camps Auschwitz, Sachsenhausen and Mauthausen (1944-1945). He started his studies at the Technical Faculty (1947-1948), and then graduated from the Department of Philosophy of the Faculty of Philology in Belgrade (1948-1951). During his studies, he worked as a menial worker, teacher, translator and humorist (collaborator of Radio Belgrade and Jež magazine). In 1953, he was a journalist with Radio Novi Sad and a curator of Theatre Museum in Belgrade (1954-1955), where he left an expansive manuscript, hand written, of the First Inventory Book of Theatre Museum in Belgrade. Since 1955, he managed the Summer Stage in Topčider, and since 1960, he was a manager of Exhibition Pavilion in Belgrade. He was Head of Drama at Belgrade National Theatre from 1979 to 1981, when he retired. He collaborated with magazines and journals: Pozorišni život (1956–1965), Delo (1956, 1959), Borba (1957), NIN (1957), Student (1959), Za pobedu (1959), Jevrejski almanah (1959/1960), Oslobođenje (1960), Vojnik (1964), Odjek (1969), Letopis MS (1972), Scena (1975)...
Plays and radio plays: Himmelkommando (1957, co-written with A. Obrenović), Shadows and Light (1959), Funerals Usually Start in the Afternoon (1969), Charlatan (with J. Lešić, 1965), Three Grotesques, Hallellujah, Victoria (1968), The Lone Crowd (1970), Fallen Angels (1971), Puppet from Bed 21 (1971), The Nether Land (based on the novel by J. Ignjatović, Milan Narandzic, 1981), Ravangrad 1900 (based on the story by V. Petrović, 1982), Sentandreia Rhapsody (based on the works of J. Ignjatović, 1983), The Soldier and the Puppet (1996), Ten Percent to Madness (1998, manuscript); Cactuses and Roses (published in 1999 in the Anthology of Contemporary Serbian Plays, volume 04). From among his legacy, the unfinished novel Semper Idem was published, as well as unfinished book of writings on holocaust, Search Among  the Ashes.
Lebovic is the founder of Association of Playwrights of Serbia, 1976, and its first chairman. He is a multiple laureate of Sterija Best Play Award and many international awards.

*
Aleksandar Obrenović and Đorđe Lebović were the first to win Sterija Drama Award for their play Himmelkommando, awarded for the first time at Second Yugoslav Theatre Festival in 1957.

 

 

 

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ABOUT DIRECTOR

Marko Manojlović was born in 1982 in Belgrade. He is a final year student of Theatre Directing, in the class of prof. Slavenko Saletović at the Facutly of Drama Arts.
In 2001, he made his debut as assistant director to Darijan Mihajlović on the production of Danton's Death, and then worked as assistant director with many acclaimed theatre directors, including Rahim Burhan (White White World), Jagoš Marković (Madame Minister), Jovan Ćirilov (The Ungathered), Gorčin Stojanović (Captain John Peoplefox), Loran Vanson (Holes)... He made his directorial debut with the play Death by Woody Allen, at Studio JDP stage in 2005. This was followed by Trap at NT Sombor, Three Piglets at Boško Buha Theatre, Pumpkin Gone Graceful at NT Kikinda and Belgrade Drama Theatre, No Masks at Atelje 212, In Eden, in the East (BELEF, 2007), Elling at Belgrade Drama Theatre, Liars at City Theatre in Podgorica and Flutter of my Lungs at NT Sombor. In 2007, he directed at JDP again, the play by Jose Triana Night of Murderers, at Bojan Stupica Stage.

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REVIEWS

 

 

 

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